my galaxy
10.05. – 28.06.2025
Antonia Brown, Jeanne Gaigher,
Sylvie Hayes-Wallace, Kelsey Isaacs,
Molly Rose Lieberman, Hojeong Lee,
Pei-Yi Tsai
my galaxy, Installation view
my galaxy explores the structural encoding of material, visual language, and social interaction. The exhibition title gestures a photograph of Francisco Infante’s interactive sculpture Galaxy (1967), evoking not only the vastness of a shared cosmos but moreover, the personal systems each artist constructs—fragmented, layered, and orbiting their own internal logics.
Rather than presenting a unified system, my galaxy aims at forming a sprawling, intimate cosmos where the familiar is struck by a new gravitational pull.
my galaxy, Installation view
Antonia Brown
Oh for me shattering Shattering me for oh, 2025
Steel, silk, cane, metallic silk, ribbon, pigment, mirror, oil pastel
75 x 65 x 45 cm
Antonia Brown
Oh for me shattering Shattering me for oh, 2025
Steel, silk, cane, metallic silk, ribbon, pigment, mirror, oil pastel
75 x 65 x 45 cm
Hojeong Lee
Untitled, 2025
Coloured pencil and pastels on paper, artist frame
29.8 x 39.8 cm
my galaxy, Installation view
Kelsey Isaacs
darkprimary Medium, 2024
Oil on canvas
76 x 102 cm
Kelsey Isaacs
youngfreak Medium, 2024
Oil on canvas
84 x 94 cm
my galaxy, Installation view
Sylvie Hayes-Wallace
Winter Skin (Knees to Ankles), or Chastity Belt for Scratching, 2024-2025
Wire fencing, beeswax, paraffin wax, pigment, old lingerie, hand-me down shoes, lace, floss, leather cord, cotton cord, nylon cord, elastic cord, waxed cord, silk thread, printed photographs, cold-pressed rosemary oil, tights, stretched out t-shirt, glow in the dark tape, bra straps, thrifted snake skin wallet, iPad packaging, glitter, dirty tape, snake shed, notes to self, dreams, document repair tape, blood stained mattress protector, step-mother’s old shoes, ribbon, diary entries, old pillowcase, Opzelura cream 1.5% instructions, bedbug care instructions, Salonpas pain patch, Hydrocortisone cream 2.5% safety data sheet, floral bouquet packaging, broken Stuart Weitzman shoes, Cosmopolitan February 2018 Chanel N°5 advertisement, Embryolisse Lait-Crème tubes, silver leaf, receipts, letters, Clobetasol Propionate Ointment 0.05% safety data sheet, Aveeno Fragrance-Free Soothing Bath Treatment packaging, medical tape, old Madonna tank top, label tape, nail polish, sharpie, insulation tape, Jade glue, eyelets, mini brads, galvanized steel wire, tamper evident security locks; based on the dimensions of the artist’s legs
32.5 cm x 28 x 12.5 cm
Sylvie Hayes-Wallace
Winter Skin (Knees to Ankles), or Chastity Belt for Scratching, 2024-2025
Wire fencing, beeswax, paraffin wax, pigment, old lingerie, hand-me down shoes, lace, floss, leather cord, cotton cord, nylon cord, elastic cord, waxed cord, silk thread, printed photographs, cold-pressed rosemary oil, tights, stretched out t-shirt, glow in the dark tape, bra straps, thrifted snake skin wallet, iPad packaging, glitter, dirty tape, snake shed, notes to self, dreams, document repair tape, blood stained mattress protector, step-mother’s old shoes, ribbon, diary entries, old pillowcase, Opzelura cream 1.5% instructions, bedbug care instructions, Salonpas pain patch, Hydrocortisone cream 2.5% safety data sheet, floral bouquet packaging, broken Stuart Weitzman shoes, Cosmopolitan February 2018 Chanel N°5 advertisement, Embryolisse Lait-Crème tubes, silver leaf, receipts, letters, Clobetasol Propionate Ointment 0.05% safety data sheet, Aveeno Fragrance-Free Soothing Bath Treatment packaging, medical tape, old Madonna tank top, label tape, nail polish, sharpie, insulation tape, Jade glue, eyelets, mini brads, galvanized steel wire, tamper evident security locks; based on the dimensions of the artist’s legs
32.5 cm x 28 x 12.5 cm
Sylvie Hayes-Wallace
Winter Skin (Knees to Ankles), or Chastity Belt for Scratching, 2024-2025
Wire fencing, beeswax, paraffin wax, pigment, old lingerie, hand-me down shoes, lace, floss, leather cord, cotton cord, nylon cord, elastic cord, waxed cord, silk thread, printed photographs, cold-pressed rosemary oil, tights, stretched out t-shirt, glow in the dark tape, bra straps, thrifted snake skin wallet, iPad packaging, glitter, dirty tape, snake shed, notes to self, dreams, document repair tape, blood stained mattress protector, step-mother’s old shoes, ribbon, diary entries, old pillowcase, Opzelura cream 1.5% instructions, bedbug care instructions, Salonpas pain patch, Hydrocortisone cream 2.5% safety data sheet, floral bouquet packaging, broken Stuart Weitzman shoes, Cosmopolitan February 2018 Chanel N°5 advertisement, Embryolisse Lait-Crème tubes, silver leaf, receipts, letters, Clobetasol Propionate Ointment 0.05% safety data sheet, Aveeno Fragrance-Free Soothing Bath Treatment packaging, medical tape, old Madonna tank top, label tape, nail polish, sharpie, insulation tape, Jade glue, eyelets, mini brads, galvanized steel wire, tamper evident security locks; based on the dimensions of the artist’s legs
32.5 cm x 28 x 12.5 cm
Hojeong Lee
Untitled (Nabel), 2023
Graphite on paper
14.8 x 21.1 cm / 15.7 x 22.2 x 4.6 cm
Hojeong Lee
chocolat, 2025
Coloured pencil and pastels on paper, artist frame
19.7 x 30 cm
my galaxy, Installation view
Sylvie Hayes-Wallace
Cage (Brain) #4 (Scaffolding 1) , 2021-2025
Wire fencing, mini brads, scotch tape,
duct tape, paper wrappers, calendar pages, medical tape, computer print outs, floss, acid-free cellotape, document repair tape, control top pantyhose, beeswax, paraffin wax, serrated foil cutter, floor paint, galvanized steel wire; based on the dimensions of the human brain
16 x 18.5 x 11 cm
Sylvie Hayes-Wallace
Cage (Brain) #4 (Scaffolding 1) , 2021-2025
Wire fencing, mini brads, scotch tape,
duct tape, paper wrappers, calendar pages, medical tape, computer print outs, floss, acid-free cellotape, document repair tape, control top pantyhose, beeswax, paraffin wax, serrated foil cutter, floor paint, galvanized steel wire; based on the dimensions of the human brain
16 x 18.5 x 11 cm
Sylvie Hayes-Wallace
Cage (Brain) #4 (Scaffolding 1) , 2021-2025
Wire fencing, mini brads, scotch tape,
duct tape, paper wrappers, calendar pages, medical tape, computer print outs, floss, acid-free cellotape, document repair tape, control top pantyhose, beeswax, paraffin wax, serrated foil cutter, floor paint, galvanized steel wire; based on the dimensions of the human brain
16 x 18.5 x 11 cm
Pei-Yi Tsai
Avoidance IV, 2025
Oil & acrylic on calico
25 x 40 cm
Pei-Yi Tsai
Avoidance VIII, 2025
Oil & acrylic on calico
31 x 50 cm
Hojeong Lee
Kalter Griff, 2025
Coloured pencil and pastels on paper, artist frame
24.9 x 15 cm
my galaxy, Installation view
Molly Rose Lieberman
Maybe in June, 2024
Flashe and oil on linen
105 x 149 x 2.5 cm
Detail – Molly Rose Lieberman
Maybe in June, 2024
Flashe and oil on linen
105 x 149 x 2.5 cm
Detail – Molly Rose Lieberman
Maybe in June, 2024
Flashe and oil on linen
105 x 149 x 2.5 cm
Jeanne Gaigher
pretend that you are somebody else. take somebody’s life and color it in with your own. text from Antjie Krog’s A change of tongue (1) & (2), 2025
Ink, watercolor, acrylic, scrim, raw canvas, thread
185 x 91 cm
Detail – Jeanne Gaigher
pretend that you are somebody else. take somebody’s life and color it in with your own. text from Antjie Krog’s A change of tongue (2), 2025
Ink, watercolor, acrylic, scrim, raw canvas, thread
185 x 91 cm
Detail – Jeanne Gaigher
pretend that you are somebody else. take somebody’s life and color it in with your own. text from Antjie Krog’s A change of tongue (2), 2025
Ink, watercolor, acrylic, scrim, raw canvas, thread
185 x 91 cm
my galaxy, Installation view
Detail – Jeanne Gaigher
pretend that you are somebody else. take somebody’s life and color it in with your own. text from Antjie Krog’s A change of tongue (1), 2025
Ink, watercolor, acrylic, scrim, raw canvas, thread
185 x 91 cm
Molly Rose Lieberman
Thirty-one years, 2025
Marker, flashe, watercolor, photographs on board, artist frame
40 x 35.5 cm
Molly Rose Lieberman
Underneathness, 2025
Marker, flashe, watercolor on board, artist frame
40.5 x 35.5 cm
my galaxy, Installation view
Antonia Brown
The stain was a thinking (Moon flower) II, 2022
Steel, rice paper, caput mortum, oxide, sienna
manilla copal, gum arabic
90 x 91 x 109 cm
Detail – Antonia Brown
The stain was a thinking (Moon flower) II, 2022
Steel, rice paper, caput mortum, oxide, sienna
manilla copal, gum arabic
90 x 91 x 109 cm
Detail – Antonia Brown
The stain was a thinking (Moon flower) II, 2022
Steel, rice paper, caput mortum, oxide, sienna
manilla copal, gum arabic
90 x 91 x 109 cm
Pei-Yi Tsai
Avoidance, 2024
Oil & acrylic on calico
36 x 26 cm